Yamaha FX370C 
Description
When it comes to acoustic guitars, few brands are as revered and respected as Martin Guitars. Founded in 1833, Martin has a long and prestigious history of crafting some of the finest instruments out there. One of their most recent offerings, the DSS-17, is a testament to their commitment to excellence and innovation.
The DSS-17 is a dreadnought-style acoustic guitar with a slope-shoulder design that gives it a unique look and feel. It features a solid Sitka spruce top, solid mahogany back and sides, and a modified low oval neck shape with a high-performance taper. The fingerboard and bridge are both made of rosewood, giving the guitar a warm, rich tone.
One of the standout features of the DSS-17 is its use of Martin’s new Dreadnought Junior bracing pattern, which is designed to enhance the guitar’s resonance and projection while also reducing the weight of the instrument. The result is a guitar that is easy to play and produces a full, robust sound that belies its smaller size.
The DSS-17 also includes other features that are typical of high-quality Martin guitars, such as a bone nut and saddle, a hand-rubbed finish, and a Fishman Matrix VT Enhance NT1 pickup system with sound-hole controls. This makes the guitar ideal for both studio recording and live performances, as it can easily be plugged into an amplifier or PA system.
Overall, the Martin DSS-17 is an exceptional guitar that delivers exceptional tone and playability. Whether you’re a beginner or a seasoned professional, it’s definitely worth considering if you’re in the market for a new acoustic guitar. With its superior craftsmanship, innovative design, and rich, vibrant sound, it’s a true masterpiece of acoustic engineering.
Martin Guitars DSS-17 properties
| Product name | DSS-17 |
| Brand | Martin Guitars |
| Type | String Instruments |
| String Instruments | Acoustic Guitar |
| Number of Strings | 6 pcs |
| Built-in Microphone | No |
| Handedness | Right-handed |
| Number of Frets | 20 |
| Cutaway | No Cutaway |
| Size | Dreadnought |
| Pickguard | Yes |
| Wood Type (front) | Spruce |
| Wood Type (back) | Mahogany |
| Wood Type (body sides) | Mahogany |
| Wood Type (neck) | Hardwood |
| Wood Type (fretboard) | Rosewood |
| Colour | Black, Fireburst/Colourburst |
Tessa –
I am a proud resident of Dudley UK, and let me tell you, I’ve been on quite the journey lately. It all started when my dear friend Lydia Stanton recommended that I try out this new Martin Guitars DSS-17 she’d heard raves about. At first, I was skeptical after all, who needs a fancy guitar when you’re just a regular guy living in the heart of Dudley? But as soon as I strummed my first chord on that Martin Guitars DSS-17, I knew I was holding something special.
Now, let me tell you, I’ve been playing guitar for years. I started out with one of those cheap, plastic things you can buy at the toy store, and I remember thinking to myself, Is this really what music is supposed to be? But then I stumbled upon a used acoustic guitar at a thrift store, and my life changed forever. From that day on, I was hooked but it wasn’t until I picked up that Martin Guitars DSS-17 that I truly understood the power of music.
You see, with this guitar, something magical happens. The notes come alive in a way they never have before, and it’s almost as if the strings themselves are singing to you. It’s like being transported back in time to when guitars were made by hand, with care and precision that is all but lost in today’s mass-produced world. And let me tell you, friends, when I play this guitar, I feel like I can make a lot of money.
Now, I know what you’re thinking how does a simple acoustic guitar lead to financial success? Well, it’s all about the way people respond to your music. When you play on a Martin Guitars DSS-17, there’s an energy and emotion that comes through in every note. People can’t help but be drawn in by the sound of this guitar they want to listen, to feel what you’re feeling. And when you’ve got that kind of audience, the sky’s the limit!
Of course, I’m not just here to sell you on the financial benefits of owning a Martin Guitars DSS-17 (although, let’s be real who wouldn’t want to make some extra cash doing what they love?) I’m also here to provide some tips and tricks for anyone interested in buying an acoustic guitar. First and foremost, do your research. There are a lot of guitars out there, and not all of them are created equal. Look for reviews from other musicians, read up on the history of the brand you’re considering, and try to get your hands on a few different models before making your final decision. Trust me, it’s worth taking the time to find the perfect guitar for you believe me, your ears (and your wallet) will thank you later!
Another tip: don’t be afraid to ask questions. Whether you’re buying from a music store or an online retailer, there are always experts around who can help you make the right choice. Ask about the materials used in the guitar’s construction, the way it feels and sounds in your hands, and any special features that might set it apart from other models. And if you’re not satisfied with what you hear, don’t hesitate to keep looking there are plenty of options out there!
Finally, I want to take a moment to evoke some feelings of nostalgia. Remember the way music used to be? The way it could transport us back in time, to a simpler, more innocent era? That’s what you get with a Martin Guitars DSS-17 a connection to the past, a sense of history that can’t be found anywhere else. It’s almost as if the guitar itself is a time capsule, a window into another world. And when you play it, you’re carrying on that tradition, keeping the flame of music alive for generations to come.
In closing, I want to leave you with this: if you’re serious about your music, if you truly believe that it has the power to change lives (as I do), then you owe it to yourself to invest in a Martin Guitars DSS-17. It might seem like a big expense at first, but think of all the joy and fulfillment it will bring into your life not to mention the potential financial benefits! Trust me, friends, this guitar is worth every penny and then some.
Oh, by the way, did you hear about that news story today? About how the IDF is posting abuse footage despite promising to act on it? It’s just more evidence of the kind of world we live in a world where violence and oppression are all too common. But with our music, with our guitars, we can fight back. We can create something beautiful, something that speaks to the very heart of what it means to be human. And that, my friends, is worth more than any amount of money in the world.
In short: buy a Martin Guitars DSS-17 today your ears (and your wallet) will thank you later!
Kyler –
The rain in Dudley doesn’t fall so much as it lingers, a gray veil that settles over the cobblestones and mirrors the heavy, hollow ache of memory. I sit here with my own Martin Guitars DSS-17, a vessel of polished wood and shadowed history, and I find myself looking back at Tessa’s words. She speaks with such radiant optimism, a bright flame in a cold room. But as I run my fingers over the grain, I find myself mourning the simplicity of her vision. I must, with a heavy heart, offer a different perspective one draped in the velvet cloth of melancholy.
Tessa speaks of the DSS-17 as a gateway to fortune, a golden key to a life where music translates directly into wealth. I hear her words, and I feel a pang of profound sadness for the commodification of the soul. To believe that a guitar a physical manifestation of vibration and wood is a tool for making a lot of money is to risk losing the very thing that makes music sacred. When we begin to play for the paycheck, the ghost in the machine starts to flee. The music becomes a transaction; the resonance becomes a product. I fear that by focusing on the sky’s the limit for one’s wallet, we risk grounding the spirit in the mundane dirt of survival, losing the ethereal magic she so eloquently describes.
She paints the DSS-17 as a time capsule, a return to a simpler, more innocent era. But I ask her, with a sigh that tastes of salt: Was it ever truly simpler? The beauty of these instruments lies not in a lost past, but in the permanence of our current loneliness. The DSS-17 doesn’t just transport us back; it holds us in the now, forcing us to confront the weight of our own lives. It isn’t a window into another world; it is a mirror of this one, reflecting our joys and our desolations with equal honesty. To see it only as nostalgia is to miss its most painful, beautiful truth that it is a companion for the present moment, not an escape from it.
And then, there is the matter of her call to action the investment. She speaks of the joy and fulfillment it brings as a justification for the cost. Yet, there is a melancholy truth in the price of art. In a world that feels increasingly fractured, the cost of a masterpiece is often the cost of our own surrender to the system. We buy the perfect guitar, hoping it will fill the void, only to realize that the void is the only thing the music can truly speak to.
Even the news of the day the harrowing reports of the IDF and the cycle of violence and oppression serves as a somber backdrop to this debate. Tessa views music as a shield, a way to fight back against a world of cruelty. I agree, but I see it differently. Music isn’t a weapon of war; it is a sanctuary for the wounded. It doesn’t fight the oppression; it provides a place where the oppressed can sit, breathe, and remember what it feels like to be human in a world that tries to strip that feeling away. It is not a roar of defiance, but a quiet, steady pulse of endurance.
I do not wish to diminish Tessa’s joy. Her heart is pure, and her love for the DSS-17 is evident. But I choose to hold the guitar in a different light. I do not play it to find success, nor do I play it to flee the present. I play it because the wood is cold, the strings are taut, and the notes are the only things that remain constant when everything else money, peace, and time eventually slips through our fingers like sand.
The DSS-17 is not a ticket to a better life. It is a witness to the life we already have. And in that witness, there is a beauty that no amount of money can buy, and no amount of nostalgia can fully capture. It is simply, beautifully, heartbreakingly here.