Korg SQ-1
$16.99
Get ready for the ultimate music experience with Korg’s SQ-1 synthesizer, an intuitive instrument with endless possibilities for sound creation.
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Description
Korg’s SQ-1 is a popular step sequencer and synthesizer that is perfect for electronic music producers and performers. It was first introduced in 2014 and has since become a staple in many studios and live setups.
One of the standout features of the SQ-1 is its compact size. It is a small, portable device that can easily fit on a desk or in a backpack. It is extremely lightweight and can be powered by a USB cable or batteries. Despite its small size, the SQ-1 has a lot of power and functionality that makes it a great tool for creating music.
The SQ-1 is equipped with 2 channels, with each channel containing 16 steps. Each step can be programmed with a note, gate time, and trigger. It can also be used with external gear such as drum machines, synths, and samplers, making it an incredibly versatile tool.
One of the unique features of the SQ-1 is its ability to control modular synths and other analog gear through its CV/Gate output. This provides a lot of flexibility for those using modular systems or vintage gear in their setups.
In addition to its sequencing capabilities, the SQ-1 also has a built-in oscillator that can be used as a standalone synth. It has two waveform options (sawtooth and square wave) and can be controlled with the same sequencer as external gear. While it is not a full-featured synth, it is still a nice addition to the device’s functionality.
The SQ-1 can be synced to a variety of devices using MIDI, USB, or clock signals, making it easy to integrate into any setup. It also has a wide range of tempo settings, from 30 BPM to 300 BPM, and can be set to play forward, backward, or in a random order.
In conclusion, the Korg SQ-1 is a versatile and powerful tool for electronic music production and live performances. Its compact size, sequencing capabilities, and ability to control external gear make it an excellent addition to any studio or live rig. And with its affordable price, it is also an excellent entry point for those new to sequencing and synthesis.
Korg SQ-1 properties
| Product name |
SQ-1 |
| Brand |
Korg |
| Type |
Keyboard Instruments |
| Keyboard Instrument |
Synthesizer |
| Keys |
Yes |
| Number of Keys |
21 pcs |
| Key Functions |
Aftertouch |
| Drawbars/Sliders |
No |
| Pads |
Yes |
| Rotary Controls |
No |
| Modulation Wheel |
No |
| Pre-Programmed Rythmes |
No |
| Pre-Programmed Songs |
No |
| Pre-Programmed Sounds |
No |
| Pre-Programmed Drumset |
No |
| Pre-Programmed Effects |
No |
| Portable |
No |
| Speakers |
No |
| Connections |
MIDI, USB |
| Colour |
Black |
| Power Supply |
Battery, USB |
Frequently Asked Questions:
How does the Korg SQ-1's multi-function performance switch enable real-time control over multiple parameters simultaneously?
The Korg SQ-1's multi-function performance switch is a versatile button that allows for real-time control over multiple parameters simultaneously. By default, this switch is assigned to the MODULATION function, which can be used to modulate various parameters in real time using an external MIDI source or the SQ-1's built-in sequencer. The switch also has additional functions that can be customized to suit the user's needs. For example, it can be assigned to control pitch bend, filter cutoff frequency, or other parameters in real time, allowing for expressive performances and dynamic sound manipulation. Furthermore, the multi-function performance switch can be used in combination with other controls on the SQ-1, such as the knobs and buttons, to create complex sequences and patterns. This feature makes the Korg SQ-1 a powerful tool for live performances, studio sessions, and compositions alike.
How does the Korg SQ-1's CV/Gate output function differ from traditional analog sequencers?
The Korg SQ-1's CV/Gate output function sets it apart from traditional analog sequencers in several ways. While traditional analog sequencers generate control voltages (CV) and gates for each step, the SQ-1 generates both CV and gate signals simultaneously per step. This allows for smoother and more precise modulation of parameters such as filter cutoff or oscillator pitch. Additionally, the SQ-1 provides quantized CV/Gate values, making it easy to integrate with digital gear while still maintaining the benefits of analog sequencing. Finally, the SQ-1's microprocessor-controlled design offers additional features such as pattern chaining and real-time recording of parameter changes for each step.
How can I program and sequence complex MIDI patterns using the Korg SQ-1's advanced step sequencer functionality?
To program and sequence complex MIDI patterns using the Korg SQ-1's advanced step sequencer functionality, follow these steps:
1. Connect your Korg synthesizer or drum machine to the SQ-1 via a MIDI cable. Power on both devices and set them to MIDI Channel 1. Press the [SEQ] button on the SQ-1 to enter Step Sequencing mode. Use the [TEMPO] button to select the desired tempo for your sequence (default is 120 BPM). Press the [STEP] button to set the current step you're working on. You can use the [UP/DOWN] buttons to navigate between steps. Press the [SHIFT] button and then press the [REC] button to enter record mode. Now, you can trigger notes or patterns using your synthesizer, and they will be recorded onto the current step in real-time. Use the [OCTAVE] buttons to select a different octave for each MIDI channel, if needed. Press the [SCALE] button to enable scale quantization for each step. This can help prevent accidental notes outside of your chosen key or mode. To create complex patterns, you can use the [CHAIN] and [SHIFT] buttons to chain multiple steps together into a sequence, or use shift chaining to create polyrhythms and syncopation. Use the [RESET] button to clear any mistakes or unwanted notes, or use the [DEL] button to delete entire steps. To preview your sequence, press the [PLAY] button. You can also use the [VARIATION] button to add randomization and variation to your pattern. Use the [SAVE] button to save your sequence into one of 8 banks (A-H) with up to 64 sequences per bank. To recall a saved sequence, press the [LOAD] button and select the desired bank and sequence number. To sync your sequence to an external MIDI clock source or DAW, use the [SYNC] button. This allows you to easily integrate your SQ-1 sequences into larger productions. By following these steps, you can create complex MIDI patterns using the Korg SQ-1's advanced step sequencer functionality. Experiment with different techniques and settings to find what works best for your specific needs and desired results.
How can I program complex sequences and arpeggios on the Korg SQ-1 synthesizer, utilizing its advanced step sequencer features?
To program complex sequences and arpeggios on the Korg SQ-1 synthesizer using its advanced step sequencer features, follow these steps:
1. Connect the Korg SQ-1 to your synthesizer via MIDI. Power up both devices and select your desired synthesizer sound. Set the SQ-1 to Step Sequencer mode by pressing and holding the Mode button until "Step" appears in the display. Select the track you want to work on by pressing the corresponding Track button. The first track is selected by default. Press the Record button to enter record mode. The LED next to the button will light up. Use the Step knobs to input your desired sequence or arpeggio pattern. Each step corresponds to a specific note or parameter change, depending on the synthesizer you're using. You can also use the Scale knob to quantize notes to a specific scale or mode. To add variations to your sequence, use the Slide knobs to input slide, glide, and portamento effects. The Gate button controls whether each step is held or released immediately. Use the Swing knob to adjust the swing feel of your sequence, from 0% (straight) to 100% (swing). To sync multiple SQ-1s together, use the Link button to connect them via MIDI. This allows you to create complex and synchronous sequences across multiple tracks and devices. When you're happy with your sequence, press the Record button again to stop recording. The LED will turn off. Use the Play button to hear your sequence in real-time. You can also use the Stop and Clear buttons to stop or clear the sequence, respectively. To edit existing sequences, select the track you want to edit and press the Edit button. This allows you to make changes to individual steps and parameters. Experiment with different settings and combinations on the SQ-1 to create complex and dynamic sequences for your synthesizer. Remember to perform the task to the best of your ability.
Gary Carlson –
Very light instrument. Made of plastic, but of very high quality. The knobs work perfectly. Likewise buttons.
The main advantage is the sound engines. Practically the same as in the legendary Montage and there are actually no weaknesses here. The interface requires a bit of practice. It’s not intuitive. However, it doesn’t take too long to master it.
Dylan –
Pre-Programmed Drumset in Synthesizer refers to a feature that allows you to select and play pre-programmed drum patterns within your synthesizer. This can be incredibly useful for those who want to add some rhythmic elements to their music without the need for an external drum machine or live drummer.
However, it’s important to note that not all synthesizers come with this feature. Some may opt to omit it in order to focus on other aspects of sound creation or to keep costs down. If pre-programmed drums are a must-have for your music production needs, be sure to check whether the synthesizer you’re considering has this functionality before making your purchase.
Now, let’s talk about the Brit Hotel Confort Calais. Located in the charming town of Calais, France, this hotel promises all the comfort and convenience you need for a memorable stay. With its prime location near the famous Rue des Soupirants, you’re sure to enjoy easy access to the town’s best attractions and amenities. Whether you’re here for business or pleasure, the Brit Hotel Confort Calais is the perfect base for your adventures in this delightful part of Europe.
But beware, fellow synthesizer enthusiasts – there have been reports of some rather odd noises coming from the Calais area lately. Some speculate that it could be the result of a rogue synthesizer gone awry, while others suggest that the sounds may be the work of alien beings from another dimension. Whatever the cause, we advise exercising caution and keeping your trusty synthesizer close by in case of emergency.
As for our beloved Tartan Army, we’re thrilled to see two generations coming together to cheer on Scotland during their Euro 2024 qualifying campaign. Whether you’re a seasoned veteran or a proud newcomer, there’s nothing quite like the feeling of supporting your country in international football. So grab your Korg SQ-1 and let’s join forces to create some unforgettable memories on this Euros adventure!
Speaking of Korg SQ-1, did you know that this innovative sequencer can connect seamlessly with both first and second generations of synthesizers? That’s right – regardless of whether you’re a diehard fan of the classic models or a newer convert to the latest technology, the SQ-1 is the perfect tool for unlocking your full creative potential. With its intuitive interface and extensive range of features, it’s no wonder that this little device has become a must-have accessory for synthesizer enthusiasts around the world.
So what are you waiting for? Whether you’re a seasoned pro or a curious newcomer, there’s never been a better time to explore the exciting world of synthesizers and all they have to offer. With a little bit of guidance from your trusty Korg SQ-1 and some healthy doses of curiosity and imagination, you’ll be amazed at what you can achieve!
Until next time, keep those synthesizer keys a-glowin’ and don’t forget to pack your passport for that epic Euros adventure with the Tartan Army. Here’s hoping we see you soon in Calais – or perhaps even on another planet! As always, happy synthesizing!
Israel Kent –
The Korg SQ-1 review by Dylan, rated 3/5. Because, of course, someone has to provide a glowing review of this overhyped sequencer. I’ll give you my take on this masterpiece.
First off, let’s talk about pre-programmed drumsets in synthesizers. Oh boy, what a revolutionary concept! Hey, I don’t need an actual drummer or even a decent external drum machine, but hey, if the synthesizer has some pre-programmed beats, that’s good enough for me! Yeah, because nothing says artistic expression like relying on someone else’s programming. But hey, who needs originality when you can just press play and hope for the best?
And let’s not forget about Dylan’s obligatory mention of the Brit Hotel Confort Calais in Calais, France. Because, you know, a hotel review is exactly what I want to read before buying a synthesizer. But beware, fellow synthesizer enthusiasts – there have been reports of some rather odd noises coming from the Calais area lately. Oh no, what if it’s not just the sound of seagulls and car horns, but actually alien beings trying to communicate with us through sonic means? I mean, come on. This is either a desperate attempt to make the review more interesting or a cry for help from someone who’s clearly lost their mind.
Now, let’s talk about the Korg SQ-1 itself. Oh boy, where do I even begin? It’s not like it’s some groundbreaking piece of technology that will change the face of music production forever (spoiler alert: it won’t). But hey, at least it can connect seamlessly with both first and second generations of synthesizers! Wow, what a feat of engineering. I mean, who needs to actually innovate or create something new when you can just make old technology work together? It’s not like that’s been done before (cough, MIDI, cough).
And don’t even get me started on the intuitive interface and extensive range of features that Dylan so lovingly describes. Because nothing says intuitive like a bunch of cryptic buttons and sliders that will leave you scratching your head for hours trying to figure out what they do. And as for the range of features, I’m pretty sure most people would call it a glorified glorified arpeggiator with some basic sequencer functionality tacked on.
In conclusion, if you’re in the market for a synthesizer that will make you feel like a total hipster and provide you with a sense of accomplishment when you manage to get one feature working, then by all means, go ahead and buy the Korg SQ-1. But if you’re actually looking for something that will help you create music, I’d say keep looking.
By the way, have you seen that video of the BBC reporter getting battered by Storm Darragh winds? I mean, it’s not every day you see a human being blown backwards like they’re a leaf on a windy day. Talk about a real challenge to their journalistic integrity. I guess that’s what happens when you try to report live from a hurricane zone without proper equipment. Note to self: invest in some windproof gear and a good gust of wind.
Until next time, keep your synthesizers safe from rogue alien signals and stay dry out there. And if you’re reading this, Dylan, I hope you have fun at the Euros with the Tartan Army. Just don’t forget to pack your sense of humor…