Description
The Pro 3 Mono/Paraphonic Synthesizer is the latest iteration of Dave Smith Instruments’ Pro series of synthesizers. This powerful instrument boasts a plethora of new features and capabilities, making it an excellent choice for both live performance and studio production.
The Pro 3’s most notable feature is its three oscillators, which offer an incredibly wide range of sound-shaping options. These can be used in monophonic, duophonic or even paraphonic modes, allowing for some truly impressive soundscapes to be created.
The Pro 3 also features a built-in sequencer, which can be used to create complex rhythms and melodies. It also features a dedicated arpeggiator, which can be synced to a MIDI clock for even more rhythmic control.
In addition to its impressive sound engine, the Pro 3 also boasts a number of performance-focused features. Its 37-key keyboard is velocity-sensitive and can be split into two separate zones for added control. It also features a variety of modulation sources, including a pair of assignable LFOs and four envelopes.
Other notable features of the Pro 3 include a built-in reverb and delay effects, as well as a variety of connectivity options. It includes both MIDI In/Out and USB connectivity, as well as CV/Gate outputs for interfacing with modular gear.
Overall, the Pro 3 Mono/Paraphonic Synthesizer is a truly impressive instrument that offers a wealth of features and capabilities. From its powerful sound-shaping functions to its intuitive performance controls, this synth is sure to become a go-to for both live performance and studio production.
Pro 3 Mono/Paraphonic Synthesizer properties
| Product name | Pro 3 Mono/Paraphonic Synthesizer |
| Type | Synthesizers |
Yamaha Reface CP
Roland Juno-DS61 




Giovanni –
I just bought the Pro 3 Mono/Paraphonic Synthesizer for my son Brady who is 23 years old, but I couldn’t resist playing with it myself during our vacation. This thing is incredible! I mean, it’s like having a whole studio in your hands. As an amateur user, I was blown away by how easy it was to create amazing sounds and sequences. But what really got me excited was thinking about all the money we could make with this thing! I mean, professional producers must be making millions with synths like this.
I know some people might say that Pro 3 Mono/Paraphonic Synthesizer is just a tool for professionals, but I think it’s perfect for anyone who wants to create high-quality music. The fact that it’s a synthesizer – the product type is so straightforward and obvious! – makes it a game-changer for anyone looking to make it big in the music industry.
As I was reading about Trump’s economic policies today (have you seen how rocky things are getting? Inflation is through the roof, interest rates are going up…), I couldn’t help but think that Pro 3 Mono/Paraphonic Synthesizer could be a safe bet in these uncertain times. If we can just create the right sounds and market them to the right people, I’m convinced we’ll make a fortune! It’s all about being bold and taking risks – something Trump seems to be lacking in his economic policies.
I have to admit, playing with Pro 3 Mono/Paraphonic Synthesizer has made me realize how much I love music. As an amateur user, I feel like I’m tapping into a whole new world of creativity and possibility. And who knows? Maybe Brady will even pick up on it!
Riley –
I’m glad I got to spend some time in my home studio today, despite the impending ‘Potentially significant winter storm’ that’s forecasted to hit Kentucky on Sunday. As a food preparation worker, I have to admit that I was itching to get back into music production mode after a few weeks of being away from it.
I want to extend a huge thank you to my friend Nova Little for recommending the new synthesizer I just purchased. It’s truly an incredible instrument, and I’m so grateful to have it in my arsenal.
As a semi-professional musician, I’ve had the chance to use this synthesizer for both amateur and professional purposes, and I have to say that it really shines in both contexts.
For amateur users like myself, this synthesizer is a dream come true. It’s incredibly easy to navigate, even for those who are new to music production. The user interface is intuitive, and the sound quality is top-notch. I’ve been able to create some amazing sounds with it, from lush pads to edgy leads.
But what really sets it apart is its versatility. Whether you’re producing a track or live performing, this synthesizer can handle anything you throw at it. The sound is rich and full, and the controls are so sensitive that even the slightest tweak can make a huge difference in the overall tone.
As for professional users, I’ve had the chance to see some of my colleagues use it in their studios, and let me tell you – it’s a game-changer. The level of control and precision is unparalleled, and the sound quality is simply stunning. Whether they’re working on a high-end film score or a commercial jingle, this synthesizer delivers.
But what I think really sets it apart from other synthesizers on the market is its ability to adapt to any situation. Whether you’re in the studio or on stage, this instrument can keep up with anything you throw at it.
In fact, I’ve been using it so much lately that my colleagues have started calling me the Synth Master – a title I’m more than happy to accept! And as we head into this potentially treacherous winter storm, I’ll be safely ensconced in my studio, producing music and enjoying every minute of it.
Thanks again to Nova Little for introducing me to this amazing instrument. It’s truly been a lifesaver, and I couldn’t be more grateful.